Who knew treadmills could be so fun? This classic, viral music video features such a simple yet quirky concept, but with choreography that blows the mind apart. After 17 attempts, OK Go was finally able to capture a single, continuous shot of the entire impressive choreographed performance. Unlike some of the other videos here, this doesn’t have any deep, significant relevance to the song’s lyrics, but… who cares!
For most of the music I play, power chords usually do the trick. I make use of them almost exclusively when writing rhythm parts or exploring chord progression ideas because they’re simple, communicative, and easy to arrange around. Sometimes, though, you’ll want something that sounds a bit fuller and more epic.
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We usually expect the energy to be at peak level in the chorus, but the matter of what “peak level” actually means is open for debate. In most cases, the chorus or drop sections will be the loudest parts of the song, but there are some producers out there who play with our emotions every now and then, and delay that ultimate satisfaction. You might want to go with the approach of creating a very busy pre-chorus that can potentially lead to an even busier chorus, but then leave listeners with a minimalist, stripped-down chorus which somehow counterintuitively hits really hard.
Not much is known about Agnesi’s life after she married Pier Antonio Pinottini and took his name, and much of her music is either lost or undated. However, we do know that she received generous compositional patronage from Holy Roman Empress, Maria Theresia Walburga Amalia Christina, and another female noble composer, Maria Antonia Walpurgis. The Holy Roman Empress apparently sung Agnesi Pinottini’s music publicly. There is a story that Agnes Pinottini was part of an organizational committee that invited the 14-year old Mozart to play in Milan in 1770 and present at his performance. She composed some operas, as well as quite a bit of keyboard and vocal music for small chamber ensembles.
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