In a song known for its supremely catchy guitar riff (what else is new?), this is Hamilton’s moment of rising up to say, “Hey, don’t forget about the bass… it’s flashy, too!” The high run works particularly well juxtaposed against the lower notes he’s played up to that point in that section (which is basically the same riff as in the verses). Specifically, the vamping on C, then dropping down to the open E and walking up chromatically to the fifth below it (G), makes the shooting up to the next octave C and climbing up to the E above it sound really great together.
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