“It’s really a ray of light. Just to be able to go there and see friends come in that you haven’t heard from or been in communication with, like, it’s such a relief to know you’re OK and you’re here and you have a place with food,” she says. “If I hadn’t gone to El Local this last week, I would be super, super hungry, and probably super depressed. It’s not only about the food and meeting people, it’s having that little space where it’s comfortable, and we take our instruments, and we jam out, and we play board games, and we have conversations, and we hug each other. It’s much more than a community kitchen; it’s making the whole corillo [Spanish for “community of friends”] feel better about the whole situation.”
If you think through what music your listener was likely exposed to as a child, you can easily figure out how to write to job their nostalgia response. But it’s important to remember that “nostalgia” can also be associated equally with sentiments of sadness and loneliness as it can joy and comfort. As a composer, this is where it becomes important to play with instrumentation, timbre, and tempo, in order to get the right balance.