Donate musical instruments philadelphia

The best syllabic recontextualization that I know of is DJ Premier’s use of a Biz Markie vocal in “Nas Is Like” by Nas. When Biz raps the line, “I’m highly recognized as the king of disco-in’,” he pronounces “recognized” as “recogNAAAHZed” with a loud and nasal emphasis on the last syllable. In “Nas Is Like,” Nas ends the first verse, “And of course, N-A-S are the letters that spell…” Then Premier scratches in Biz seeming to say “NAAAS.”

Here’s an interesting one. In 1983, Haruomi Hosono, a member of the famed Yellow Magic Orchestra with Ryuichi Sakamoto, and a well-known synthesist throughout the 1980s, was asked by the directors at MUJI to create “background music” for their newly opened stores. So, muzak. This blissful, sometimes atonal, wabi-sabi music has been described as “a playful, yet uneasy dream-space of aural fog.” It was released in a short run of cassettes and never heard about again… until now!

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Grants for nonprofits 2019

Harmonically, the “majorness” of the V chord is pretty weak, as you can barely hear the major third. And yet the harshness of the iiº chord in the intro is masked by the sweet flute-like tone. Lots of anomalies. Another anomaly is just how fast this song rose in the charts, and how even faster it then dropped, going from #5 to #60 to #91, and then who knows where.

Now let’s look at some anomalies for roman numeral chord types used. For instance, the iii and♭VII chord types appeared well above and below their average rates, respectively, and both the major and minor tonalities managed to borrow their parallel tonic chords, so that’s a fun spice you don’t often get to taste.

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