As you may already know, the use of music and lyrics in karaoke is another mechanical use that can be another source of songwriter royalties. Aside from the kick you’ll get out of hearing your friends and total strangers belting out your songs at the local bar, you’ll also earn royalties every time someone sings your song. Licensing your music for use with karaoke could also potentially generate royalty income in a number of different ways including publishing, mechanical, and synchronization rights.
My playlists generally had a progression in them. It wasn’t just a random set of songs thrown together, but rather, a journey with songs that connected somehow. I knew that aspect was key for our tool, which ultimately meant we needed to codify the DJ part of my brain. A.I. was still in its early days, particularly for music, but we were confident we could pull it off. However, as we went down the rabbit hole, we came across a very big problem…
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Carter Lee is a bassist/educator/producer. He is originally from Edmonton, Canada and now resides in Brooklyn, NY. In addition to leading the hip-hop group, Tiger Speak, Lee is the music director for the bands of both Shea Rose and Moruf. He is also a sideman for countless other artists. Carter brings his wealth of experience in many different musical situations to the Soundfly team and is eager to help any musician who is hoping to better their band. Check out his course Building a Better Band on Soundfly today!
This progression very eloquently illustrates one of the most basic functionalities of western tonal music — the subdominant (IV chord – G), moving to the dominant (V chord – A), and resolving to the tonic (I chord – D). This is a sound that transcends all genre barriers and ties tons of music together. We can find a very rich body of work in this sound throughout history, from classical music, to much folk music, to contemporary pop hits of each generation.
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