All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested in diving deep into production-related topics like Advanced Mix Techniques, Beat Making in Ableton Live, or Intro to Making Music in Logic Pro X, or just wanting to work with a mentor directly to achieve a musical goal specific to you, we can help you get there!
Alisu is an IDM and dub producer who has been a major proponent of Chile’s underground music scene in the last few years. She uses both analog and digital synths so expect to hear everything from fat Moog thumps to wild FM synthesis sounds. What sets her apart is her creative and mesmerizing use of field recordings. There seems to be an underlying sense of nature interwoven into the very essence of her music. It’s almost impossible to describe but it’s as if she’s trying to pull us into an unknown tropical paradise.
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How much does the general public really pay attention to bass riffs? I’m not talking about songs in which the bass has the main hook, like Queen’s “Another One Bites the Dust” or Lou Reed’s “Walk on the Wild Side” where the bass is technically the lead instrument, nor am I talking about every disco hit ever. How much do people really take the time to hear through what’s going on in the rest of the mix to find what the bass is doing?
Some musicians believe that if they make great music, everything else around their career will be taken care of; and this is a huge mistake. The truth is that no one should be more concerned about the non-musical aspects of your career than you. This means paying attention to things like song royalties, licensing agreements, and the details of every contract you sign. You don’t need to be a legal expert to be a musician, but having a passive attitude about the less flashy aspects of your music career can lead to devastating consequences.
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It is said that Dragonetti influenced Beethoven’s composition deeply, reorienting the composer’s eye toward making more creative use of the double bass in how it interacts with the rest of the orchestra. As for his own composition, he really took it upon himself to expand the repertoire for double bass, having written dozens of short works for double bass and piano, string quartets, as well as a sort of “instruction manual” with exercises and studies for the instrument!
As Paul Simon said farewell to performing music in September in his childhood home of Queens, NY, we revisit the ups and downs of the songwriter’s career.
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