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So, as much as I love the concept and the cute album covers, I came, I tried, and I left these doggy playlists behind. It’s back to The Gaslight Anthem on repeat for us.

I’m sorry to report that women artists didn’t gain much ground this year. And even though male-female duets saw a healthy bump, not even one strictly female duet showed up to the party, while a full third of our 2018 “Top 5-ers” had at least two dudes in the room! I don’t know, maybe blame it on the surplus of Drakes lying around?

That’s really what touring with your band is all about; the opportunity to get out there and do what you love in front of the people that love seeing it. It helps to know that when you arrive in a new city, there will already be a live music crowd ready to greet you with open arms. And some of the most vibrant, bustling music scenes — with great venues, great young bands, and audiences constantly looking for a good time out — exist in places with a few universities nearby.

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All of our mentored online courses come with six weeks of 1-on-1 professional support and feedback on your work. It’s like having a personal trainer, but for music! That means you’re not just getting the course content, but a coach to bounce ideas off of and someone invested in your success. Check out our courses such as The Art of Hip-Hop Production, The New Songwriter’s Workshop, and Songwriting for Producers. Preview any or all for free!

It’s been a crazy journey, and the indie touring scene can be both amazing and awful. Stressing out about your next meal, tank of gas, or whether you’re gonna get kicked out of that Walmart parking lot is not always fun. But we’ve had some good times too, so here are a few ways to have more fun on tour (even if your livelihood doesn’t depend on it!).

Performing more often is an excellent goal, but plunging in headfirst can be dangerous and taxing. If you mean to keep this resolution, be smart about it.

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

Sam: Working with Barry was such a wonderful experience. He was always friendly and confident, never shying away from criticism or feedback. While his work in the beginning of the course was impressive, his final piece showed tremendous progress, and I couldn’t be more proud of the work he did during our time together.

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In Soundfly’s new course, Songwriting for Producers, you’ll learn strategies, techniques, and workflows for turning production ideas into complete tracks.

Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.

Yet the question of commerce is also a factor, and Wu-Tang’s refusal to sell more than a single copy of the album bears a much stronger resemblance to the practices of creative commissioning and artistic production of the Renaissance. No distribution.

So that’s why when the “Jello dries up,” so to speak, it makes it very difficult to make fast vibrations, thus resulting in the inability to hit higher notes, cracking, or the inability to produce any sound at all. Moral of the story: Hydrated vocal folds are happy vocal folds!

Remember, you can break words up with a motif, like in “Somewhere Over the Rainbow.”  “Some-where” gets split in half by an octave because the songwriter wanted to really draw our attention to the idea of longing for this magical place, reaching up to the next octave like it’s up in the sky.